In my music, I enjoy exploring the inner workings of the musical object, rigorously examining it to expose its internal oppositions and generative potential, then delving into it and manipulating the complex and chaotic relations.
In the end, what I want to do is to strip the material away from itself, misremembering and re-contextualizing it to be perceived from different points of view meaning different things to the listener at different points in time. Where are the synergistic boundaries? How does it exist in time, move in time? How can it exist in another time?